I AM NOT MY BODY # 3 | Whistler's mother
Voor Nederlands KLIK HIER
IMPOSSIBLE ANATOMY
The black dress of this famous painting, known as ‘Whistler’s mother’, now hangs over the chair like a large piece of fabric. The strict black colour that enveloped her body has made way for the vulnerable skin colour with freckles on her upper body and the veins on her thighs are also visible.
Looking at this mother without clothes feels almost inappropriately intimate, but I continue to look at her with respect. Perhaps because she remains sitting there so peacefully, with her handkerchief in her hand.
While making this work, Mooniq discovered that her legs are anatomically incorrect and gave her extra long thighs to be able to maintain the original shape.
Detail
The transparent flap of her hat that now lets not her black dress shine through, but her skin color.
Original paining:
Whistler's mother, of
Arrangement in Grey and Black No. 1
James Abbott McNeill | 1871
PURCHASES
This series is produced in a limited edition of 17 copies. If you would like to purchase this work, or the entire series, this is still possible. Click on the 'order' buttons below for more information.
BASIC CONCEPT
OUR BODY
The first thing that stands out in this series of six works is that the people in these world-famous paintings, such as Vermeer's Milkmaid, are naked. Because these iconic personalities are naked, they are partly stripped of their personality and you suddenly see 'ordinary' people of flesh and blood. Nevertheless, the title tells a different message about the body.The title is therefore the starting point for creating these works, and is essential for the message:
I am not my personality
I am not my body
I am Spirit
INFINITE CONSCIOUSNESS
With this work I am telling you that you are not a body. You are the observer of the body. You are not a 'little I' that dies after one minute or 100 years as a bag of skin and bones. You are infinite consciousness that experiences through the temporary 'vehicle' that is our body.
By identifying with our body and our personality, we deny our true Self. With this expansion of consciousness I want to give with this work the invitation to allow a greater area of possibilities and probability than is visible.
HISTORY OF ORIGIN
The series ‘I am not my body’ came about thanks to an invitation I received to participate in an exhibition with the theme ‘nude’. This forced me to think about this subject that initially did not inspire me. The only meaningful path I wanted to take was to tell the ‘naked truth’. Who are we really in essence: we are not the body, we are spiritual energy.
The question of how she could portray the phenomenon of ‘Spirit’ within the theme of nudity kept me busy for months.
In the end, it was an inspiration that came to me just before I fell asleep: to strip world-famous paintings of their clothing, and with it of a piece of their identity. To my surprise, I did not find a comparable concept on the internet.
PAINTING WITH PIXELS
With great patience and precision I created this series on the computer in Photoshop. I did this by building up dozens of layers on top of each other. So it is digital craftsmanship at pixel level. The prints with high-quality inks are printed on special paper and look like artisanal oil paintings. When you look at these naked masterpieces, the original paintings will evoke a completely different emotion afterwards.